Yeah, it’s cryptic title time, only this time not because I wanted a cryptic visitor-hooking title but because I actually couldn’t come up with something which said what this post was about any better than that did.
I found myself today looking at a website of art by somebody I sort of know, I knew she did art but had no idea what it was like – she’s called Bryony Aston and the site is here if you want to take a look. I think it’s good, in fact I think it’s really good: I’d have one of her paintings on the wall any time (this one if I could pick). So that got me thinking about all the amazing artists we’ve never heard of, which got me thinking about why some artists sell for millions at auction, which got me thinking about all the artists who don’t even exhibit. What is it about some art and some artists which suddenly makes them, if not famous, then at least well known. When does somebody’s art become Art?
Now there is a part of me which has always thought that art really shouldn’t ever be monetarily worth more than the materials and time involved in its creation. Let artists be fairly recompensed for their creativity and effort, and gallery owners for their work in selling the art on, but they should be the ones who benefit, not somebody who really never even knew them years down the line, not people who buy art as an investment. Think how much more visually interesting the world would be if that were the case, nobody would buy pictures as investments and stick them in vaults where people can’t see them, public galleries would be able to build their collections easily without having panic funding drives to keep something in the country. What’s more with low values on the stuff it might be easier to borrow and exchange works (dunno about that though). People who owned art wouldn’t be forced to sell it off to cover taxes, and folks could take their pictures along to the antiques roadshow without the risk of finding it’s so bloody valuable the they can’t really have it on the wall of the living room any more due to the risk of theft. So yeah, I’m opposed to investment art in general. I’m in favour of art because the more art you have the better civilisation you have, your world is a better place.
So what about all the unknown art? What about all the hundreds of thousands of creatives like Bryony out there? What about the art you and I have never heard about? Well, I reckon without Art there would be more respect for art – Joni Mitchell said ‘he knew they’d never been on their tv, so he passed his good music by’ and that’s the lot of a load of artists out there, they make stuff which immeasurably improves our world, but it doesn’t get shown. Frankly, if I had a choice of a reproduction Old Master and one of Bryony’s paintings I’d take hers any day, because a reproduction isn’t the painting, it lacks everything which makes the painting worth looking at. I’d rather have a picture by somebody unknown which I loved on the wall any day. Okay, I have a lot of prints of pictures, including one I’m not ever going to take down, but that’s going to be a future blog post (‘spoilers, sweetie’).
See, frankly, I’m not convinced that Art is actually any better than art. Certainly much of it is brilliant, though a lot isn’t I think that great – I’m not doing the old master v modernism thing here, it’s got nothing to do with the type of art, some is just better than others. I accept that ‘better’ is a personal opinion thing though. For example if Millias had not painted after Ophelia I’d have been happy, it would have saved us from mawkish dreck like Bubbles. We clearly can’t think it’s all good because it’s famous because if you watch anybody visiting a gallery they wander the rooms and stop at some paintings because those are the ones which engage them. You know what? I reckon if you took one of Bryony’s paintings and put it in an exhibition of art by well known abstract painters as many of the public would stop to look at it as they wander the rooms as those by famous painters in the same genre. Because deep down art lovers, real art lovers (it’s my blog, I can be as polemical as I like) look at and enjoy art which engages and captivates them. The Ecstasy of St Theresa doesn’t captivate because it’s by Bernini, it captivates because you swear that if you reached out and pushed on one of her feet it would swing.
The Cass Arts chain says “lets fill this town with artists” – they’re actually wrong to say that (though I totally applaud the sentiment), it already is full of artists, we just need to realise that everybody who paints, or draws or sculpts, or scrapes, or prints is an artist, even if they’re not Artists.